Showing posts with label the spectacular failure. Show all posts
Showing posts with label the spectacular failure. Show all posts

Saturday, March 26, 2011

Acception: quietly having a little insurrection in the Ditmars

It has been brought to my attention that "Acception" has squirmed its way in among the cool kids and is currently shortlisted for the 2011 Ditmar Awards.

The 2011 ballot is as follows:

Best Novel
————————————————————————
* Death Most Definite, Trent Jamieson (Hachette)
* Madigan Mine, Kirstyn McDermott (Pan Macmillan)
* Power and Majesty, Tansy Rayner Roberts (Voyager)
* Stormlord Rising, Glenda Larke (Voyager)
* Walking the Tree, Kaaron Warren (Angry Robot Books)

Best Novella or Novelette
————————————————————————
* “Acception”, Tessa Kum (Eneit Press)
* “All the Clowns in Clowntown”, Andrew J. McKiernan (Brimstone Press)
* “Bleed”, Peter M. Ball (Twelfth Planet Press)
* “Her Gallant Needs”, Paul Haines (Twelfth Planet Press)
* “The Company Articles of Edward Teach”, Thoraiya Dyer (Twelfth Planet Press)

Best Short Story
————————————————————————
* “All the Love in the World”, Cat Sparks (Sprawl, Twelfth Planet Press)
* “Bread and Circuses”, Felicity Dowker (Scary Kisses, Ticonderoga Publications)
* “One Saturday Night With Angel”, Peter M. Ball (Sprawl, Twelfth Planet Press)
* “She Said”, Kirstyn McDermott (Scenes From the Second Storey, Morrigan Books)
* “The House of the Nameless”, Jason Fischer (Writers of the Future XXVI)
* “The February Dragon”, Angela Slatter and Lisa L. Hannett (Scary Kisses, Ticonderoga Publications)

Best Collected Work
————————————————————————
* Baggage, edited by Gillian Polack (Eneit Press)
* Macabre: A Journey through Australia’s Darkest Fears, edited by Angela Challis and Marty Young (Brimstone Press)
* Scenes from the Second Storey, edited by Amanda Pillar and Pete Kempshall (Morrigan Books)
* Sprawl, edited by Alisa Krasnostein (Twelfth Planet Press)
* Worlds Next Door, edited by Tehani Wessely (FableCroft Publishing)

Best Artwork
————————————————————————
* Cover art, The Angaelien Apocalypse/The Company Articles of Edward Teach (Twelfth Planet Press), Dion Hamill
* Cover art, Australis Imaginarium (FableCroft Publishing), Shaun Tan
* Cover art, Dead Sea Fruit (Ticonderoga Publications), Olga Read
* Cover art, The Girl With No Hands (Ticonderoga Publications), Lisa L. Hannett
* “The Lost Thing” short film (Passion Pictures), Andrew Ruhemann and Shaun Tan

Best Fan Writer
————————————————————————
* Robert Hood, for Undead Backbrain
* Chuck McKenzie, for work in Horrorscope
* Alexandra Pierce, for body of work including reviews at Australian Speculative Fiction in Focus
* Tehani Wessely, for body of work including reviews at Australian Speculative Fiction in Focus

Best Fan Artist
————————————————————————
* Rachel Holkner, for Continuum 6 props
* Dick Jenssen, for cover art of Interstellar Ramjet Scoop
* Amanda Rainey, for Swancon 36 logo

Best Fan Publication in Any Medium
————————————————————————
* Australian Speculative Fiction in Focus, edited by Alisa Krasnostein et al.
* Bad Film Diaries podcast, Grant Watson
* Galactic Suburbia podcast, Alisa Krasnostein, Tansy Rayner Roberts, and Alex Pierce
* Terra Incognita podcast, Keith Stevenson
* The Coode Street podcast, Gary K. Wolfe and Jonathan Strahan
* The Writer and the Critic podcast, Kirstyn McDermott and Ian Mond

Best Achievement
————————————————————————
* Helen Merrick and Andrew Milner, Academic Stream for Aussiecon 4
* Amanda Rainey, cover design for Scary Kisses
* Kyla Ward, Horror Stream and The Nightmare Ball for Aussiecon 4
* Grant Watson and Sue Ann Barber, Media Stream for Aussiecon4
* Alisa Krasnostein, Kathryn Linge, Rachel Holkner, Alexandra Pierce, Tansy Rayner Roberts, and Tehani Wessely, Snapshot 2010

Best New Talent
————————————————————————
* Thoraiya Dyer
* Lisa L. Hannett
* Patty Jansen
* Kathleen Jennings
* Pete Kempshall

William Atheling Jr Award for Criticism or Review
————————————————————————
* Leigh Blackmore, for Marvels and Horrors: Terry Dowling’s Clowns at Midnight
* Damien Broderick, for editing Skiffy and Mimesis: More Best of Australian Science Fiction Review
* Ross Murray, for The Australian Dream Becomes Nightmare
* Tansy Rayner Roberts, for A Modern Woman’s Guide to Classic Who


To those who nominated, thanks. I am well sheepish, bemused and ego-fat.

More importantly, Baggage itself is up for a Ditmar as well. Huzzah! This is a brilliant thing, and not just because the book itself is a devious little collection.

As was announced a couple of weeks back, Eneit Press is closing.

I've been grappling with the problems created by the RedGroup's collapse for the last few weeks, but the lead up to that collapse was, for Eneit Press, the most disasterous. You see, last year Borders hosted the launch for Baggage, and at their prompting I bought the biggest print run for any anthology I'd yet done.

The launch, just prior to Aussicon 4 was a huge success, and the store took half the print run, keeping some boxes of books on consignment for selling at this year's Supanova. I duly invoiced them for the books they sold at Worldcon. And re-sent 8 weeks later.

...I was just about to ring again when the news of them entering voluntary adminstration broke.

Nothing short of a miracle can save Eneit Press now.


The ending of Eneit Press is nothing to do with quality of books, having printed a collection by Kaaron Warren and Gillian Polack's latest Ditmar-nominated novel, there is nothing but quality in that back catalogue. The conduct of Borders has left me with a churning gutful of bitter froth, and left Sharyn with a financial debt that she did not bring about and has slain her dream.

Normally, I would offer to send "Acception" for free to anyone who wishes to read it before voting. In this case, however, I urge you to buy the few remaining copies of the anthology from Eneit Press direct, and alleviate some of that debt.

It has always been said that the Australian speculative fiction scene is a supportive community. Please, don't just talk the talk. Buy the book, read the book, stick it to the goddamn man.

Baggage may be purchased here. For international orders drop Sharyn an email to query shipping.

Details on how to vote in the Ditmars may be found here.

If you could retweet, reblog, facebook, tumbl(r), share this and spread the word around, please do. This isn't about awards.

Monday, January 17, 2011

The Good, The Bad, And The Otherwise

Back in February 2010 I was referred to a specialist, a rheumatologist. He twisted my joints, poked and prodded, made a couple of comments about Asimov and sent me on my way.

My Doktor, upon receiving the rheumatologist's findings, gave me a "...wtf?" look.

Regional Pain Syndrome

The symptoms of CRPS usually manifest near the site of an injury, either major or minor. The most common symptoms overall are burning and electrical sensations, described to be like "shooting pain." The patient may also experience muscle spasms, local swelling, abnormally increased sweating, changes in skin temperature and color, softening and thinning of bones, joint tenderness or stiffness, restricted or painful movement.

The pain of CRPS is continuous and may be heightened by emotional or physical stress. Moving or touching the limb is often intolerable. The symptoms of CRPS vary in severity and duration. There are three variants of CRPS, previously thought of as stages. It is now believed that patients with CRPS do not progress through these stages sequentially. These stages may not be time-constrained, and could possibly event-related, such as ground-level falls or re-injuries in previous areas. Instead, patients are likely to have one of the three following types of disease progression:

  1. Stage one is characterized by severe, burning pain at the site of the injury. Muscle spasm, joint stiffness, restricted mobility, rapid hair and nail growth, and vasospasm (a constriction of the blood vessels) that affects color and temperature of the skin can also occur.
  2. Stage two is characterized by more intense pain. Swelling spreads, hair growth diminishes, nails become cracked, brittle, grooved, and spotty, osteoporosis becomes severe and diffuse, joints thicken, and muscles atrophy.
  3. Stage three is characterized by irreversible changes in the skin and bones, while the pain becomes unyielding and may involve the entire limb. There is marked muscle atrophy, severely limited mobility of the affected area, and flexor tendon contractions (contractions of the muscles and tendons that flex the joints). Occasionally the limb is displaced from its normal position, and marked bone softening and thinning is more dispersed.

Upon reading the symptoms, I returned the "...wtf?" look to my Doktor.

The only symptom I had and have in common with this condition was pain. And you know, that's a symptom I have in common with, say, piranhas. Does that mean I have piranhas? No. No, it does not.

As such, we elected to overlook that diagnosis and continue with physiotherapy, which had been making significant improvements. For a while. Well. Yeah.

Hands started to deteriorate again, no matter what I did or did not do, which lead to the prescription of Cymbalta among other things, and, eventually, another referral to the rheumatologist.

My Doktor had specifically chosen Cymbalta as it has been proven to be effective in the mitigation of chronic pain. Curious, I asked my physiotherapist about the idea behind Regional Pain Syndrome and the theory my Doktor appeared to be latching onto in regards to overactive nerve activity and a brain that no longer filtered properly.

"Absolutely," she said. Although the problem with my hands may have started as a very straight-forward Repetitive Strain Injury, it had gone on long enough that the nerves would have changed with the conditions they found themselves in. In layman's terms; the nerves expect pain, so they make it. The brain expects pain, so it receives it.

I had my doubts when my Doktor explained his reason for the Cymbalta. Pain is not something that should be covered up. It's there for a reason, it's the best warning sign you get that something is wrong. There have been many, many steps backward on this "road to recovery" my hands have taken me on. One of the biggest was late last year. The Doktor had given me Celebrex, with instructions to take one a day for a month, and see how that helped. I was having adverse reactions to over the counter painkillers, and thankfully the Celebrex had no such effect. It's a slow-acting medication. Not designed for quick pain relief, but for chronic pain relief. It only kicks in after a few days, once appropriate amounts are in your blood.

It was lovely, being without that pain. Lovely.

At the end of the month, when I went off the Celebrex, the pain returned and was significantly worse than previously. I could only assume that without the pain to hold me back, I was working too much and not realising, and doing even more damage to my hands.

That terrified me. I wouldn't take any more painkillers after that, except at night when it was the only way I would get to sleep. The pain was necessary to keep me in check. I needed the pain, to listen to.

However.

I was getting better.

I could see it when my physiotherapist tested the tension in my nerves, and I could feel it when she went at my muscles and nerves with her frighteningly effective hands. I could feel it when I moved and when I stretched.

Improvement = more pain?

No comprende.

The rhuematologist twisted my joints and poked me hard enough to bruise and made some more comments about Asimov, and then wrote on a piece of paper "fibromyalgia" and peered at me over his glasses.

Fibromyalgia is a medical disorder characterized by chronic widespread pain and allodynia, a heightened and painful response to pressure...Other symptoms include debilitating fatigue, sleep disturbance, and joint stiffness. Some patients may also report difficulty with swallowing, bowel and bladder abnormalities, numbness and tingling, and cognitive dysfunction. Fibromyalgia is frequently comorbid with psychiatric conditions such as depression and anxiety and stress-related disorders such as post-traumatic stress disorder. Not all people with fibromyalgia experience all associated symptoms.


"I've seen this," I said. "When I was reading up on Cymbalta."

He gave me his recommendations - to raise the dose of Cymbalta or stay on Celebrex indefinitely - and sent me on my way.

My Doktor was well pleased to hear this, his hypothesis being confirmed by a second source, until I pointed at that at the current dosage of Cymbalta I had noticed no different in pain levels and given the somewhat UNRELENTLINGLY ARSEHOLEY side-effects currently afflicting me, no way in hell was I going to start a higher dosage.

And that's where we are now. I'm to stay on 60mg of Cymbalta for the next couple of months. Should the current side effects of RAGING INSOMNIA and SOB-INDUCING RESTLESSNESS abate, I will try a higher dosage in the hopes it alleviates my chronic pain. If not, I'll drop back to 30mg of Cymbalta and stay on Celebrex for...however long.

I've done my reading around on the intertubes, and I have my reservations about the diagnosis. Fibromyalgia itself is something of a controversial condition, and when I look at the symptoms and requirements of diagnosis, my face gets a little skeptical. I'm not sure I tick all those boxes.

But, what my physiotherapist said makes sense to me, and she is the one who knows my condition best. I trust her opinion.

The majority of those I have shared this diagnosis with have expressed quite sharp-edged dismay, to my surprise and gratitude. Yes, well. The idea of living with chronic pain isn't exactly a happy ending. It's not something that really featured in my plans for the future, you know?

That said, I'm descended from people who pay sweet bugger all attention to pain. They shrug off cuts and don't notice bruises, strain and pull and twist things and simply treat them gently till they've calmed down, barely even notice when they're sick because, hey, it isn't actually stopping them from getting on with things. One of the problems in talking to my medical posse about my hands, for the entire duration, was being able to express the "level" of pain. When it's bad enough to keep me from working, then I notice it. Beyond that...look, I'm uncomfortable all the time, so I don't really pay it any attention, sorry.

The pain was there to stop me from doing damage. If my nerves are simply crying wolf, and there is no damage being done?

Fuck yes I will live with chronic pain. Fuck. Yes.
Fuck yes I will take medication indefinitely. Fuck. Yes.

Because what this means is the damage is not that bad. What this means is physically I can and am recovering.

What this means is I can think about writing.

I have a future, again.

BOOYAH.

Which isn't to say I can throw all caution to the wind. I'm currently filling another position at work, a role that involves more computer work than my own, and combined with the recent spate of blogging; I feel it. Oh boy am I feeling it. Ouch. Ow. Argh. Getting a bit carried away with this heady air of possibility. Oh air. Oh air.

This may be the first breath I've taken in 21 months.

Friday, December 24, 2010

This Heart Howls, This Knee Jerks, This Voice Says

There isn't enough footpath in the world. No, that's not right. There is. More than enough. But I cannot walk- No, that's not right either.

At this point I choose to return to this address, or, I feel obliged and I heed that obligation. There is only so many loops of these suburbs I can make before I run out. A street can only be walked once a day. Maybe once at night, too, but it is summer, and the daylight never dies.

The office released us early, as with all other work places given the crowd on the train. Nothing called for my attention. I lingered at work after the others had left and stretched out my last tasks as far as I could, but they didn't have much elasticity to them.

When I left, I walked city blocks, aiming for this train station, and then when it arrived too soon, aiming for the next train station, and the next, and the next, until I didn't know how to walk to the next station, and Hoddle Street is a cunt of a street to drive on, let alone walk, so I caved and caught a train. For the duration of the ride my legs jittered.

The Twice-Only Dimensional Insect Empire spies upon us all. They have planted bugs in High Street.

They. Will. Get. In. Your. Ear.


The printout in the window of the Palace Cinema said 'last days!' Ominous. These days never end. The attendant said yes, this was the last showing of Monsters. Nothing called for my attention. The ticket was in my hand before I'd even thought about it, before I'd remembered the trailer looked a wee bit scary.

With two hours to kill I walked up High Street. I wandered into every new and used bookstore, ran my hands over clothes I couldn't afford, and blinked in the unfamiliar sun. The point was to walk. To move. The point was to stretch every minute mission as far as I could, but, time is always more elastic, always stretches further.

Lunch was at 4.30. A bag of Doritos.

The sun is set. The sky is not dark. The flying foxes are so much scattered pepper washing past my window.


There was an incident with the last post.

If an agent of the Twice-Only Dimensional Insect Empire gets in your ear, it will eat your third dimension, and then, eat your heart.


Monsters is not a flashy action-thriller. It was an unsubtle social commentary, beautiful and restrained, understated without being coy, and gentle, so gentle.

The monsters were beautiful. They were not monsters.

Monsters only exist in the unknown. To know something is to strip it of power. To understand it is to have empathy, and even if that empathy is without sympathy, possibly with judgment, it is no longer unknown, and the monster is gone.

I am not a monster, I am just a person. I know no monsters, only people.

Monsters may be easier to deal with. Monsters always of the possibility of being wondrous.

No, that's wrong, that's entirely wrong.

Monsters only exist when we fear them. In which case, I am a monster, I know many monsters, you're all monsters, there are no people anywhere. Also, I am afraid of the hair in the shower plughole.

B said to T, you'll be on your way out yelling get out of my way or I'll elbow you in the face! B demonstrated this action. I was behind B. Our heights are so perfectly balanced to have her elbow hit my face.

I whispered intensely to B, while she was talking to R, that there was an eyelash in her eye and she had to get it out because I couldn't stop staring at it and it was bothering me. She dug and dug and finally got it. And made a wish not to elbow me in the face next year. Then gasped in dismay because she'd revealed her wish, and thus, it will not come true.

I retreated to my cubicle.

B isn't a monster. She left sherbet bombs in our socks.


This blog. As with counselling, I'm weighing the balance between its benefits and its damage.

I know I am......not easy to know? But then, is anyone? Perhaps I should say, I know I am frustrating to know. I am confounding. My continued presence in a person's life seems to demand more patience than is fair. Perhaps? Maybe? I am only extrapolating, really. No one has turned and said, "Goddamn you're fucking exasperating to be friends with." Not yet.

It seems to be easy to misread me, and normal to get me entirely wrong. Maybe that too is normal. Maybe everyone regularly experiences that chasm of dislocation that comes when you realise someone has completely misunderstood you, and that difference between perceptions will never be reconciled.

This blog is prime for that. All personal blogs are fucking ripe for leap-frogging to incorrect conclusions, no matter how well meant. It's just what happens when your primary contact with a person is highly filtered. How many of you can read my facial expressions, or my tone of voice? There's a limited number of you for which I can claim that degree of familiarity.

There was an incident with the last post.




















There is comfort in empty spaces.


Immediacy is in the nature of the internet. Now, now, now. It's drifted down through our subconscious and is so much sediment, now, now, now.

Personal blogs are, by there very nature, personal. Some come to serve their audiences, for better or worse. Some come to a compromise with their audiences, for better or worse. And some just...carry on. Guilty as charged.

When I write my massive long confrontational confessional soul-bearing heart-rending WOE THE FUCK IS ME posts, I'm aware of the effect they have. Comments are mostly closed because of that. People care, people are compassionate, people want to reach out.

And I'm just...not easy to know.

Those massive long confrontational confessional soul-bearing heart-rending WOE THE FUCK IS ME posts are my healing. If I can write them, then the worst of the crisis is past, or I am at least in a lull. To write is to define, to define is to control, and that small semblance of power and processing makes a world of difference. Oh it does. If I can then post that writing, make public, have my voice be heard, then my head is above water.

From your point of view, it doesn't look it. It looks like the Apocalypse.

You never see the Apocalypse. That happens in silence, behind closed doors.

These posts, they happen after the storm.

I do. I love it. People can't help but smile back.


And I am...not easy to know. I do not want sympathy, something that has (just for once) nothing to do with pride. It is a burden. I'm sorry, but to know I cause you concern weighs on me heavily and is a point in favour of keeping silent, and I must not. If I want advice or suggestions, then I will ask for it, and you will know it. That which is unsolicited is so heavy, I'm not prepared to receive it, yet feel obliged to do something about it, even though I may not have the resources or desire.

Most of you have loitered here long enough to simply reach out, let me know you're there and aware. This means more to me than you can imagine.

Others will continue to push help, and even though I struggle to accept it with grace, I appreciate the care I'm shown and haven't earned. Who am I kidding, there is no grace, only silence. I'm an arrogant ungrateful cunt at the best of times. I will push you away.

This runs contrary to your compassion, your caring, and your desire to reach out.

Look, if you leave me unattended in a room with a blank whiteboard, there will be sharks. That's all I'm saying.


Did you know I have trust issues? Of course I do. Especially concerning people who appear to be concerned with my well-being.

I mean, for starters, I have confused ideas about strength. That is, to be strong means you must be strong, which in turn means never being weak, which in turn, can be externalised by simply never displaying weakness. You must be fooled in order for me to fool myself. So my nearest and closest are constantly hurt and rejected that when I am vulnerable and wounded I will not go to them for help, I will not ask for it or hint that it may be required, I will not allow them to be the friend they are.

Conversely, I know what it means to support such a weight. It is immense, and the responsibility is equal, and crushing. I love my friends too much to want to be a burden to them, I love them too much to ever make myself a burden, I will not do that to them.

I am too heavy. Too many people have dropped me. Too much hard work for no guaranteed reward. I am not worth the price to be paid. Those with a White Knight Complex adore me. They're like flies on bullshit, they can't keep away from my distress and anguish and raw bleeding emotional chunder. The smell of pain intoxicates them, and they rush in to save me.

I make a shit damsel in distress. FYI.

When they realise I'm not an easy rescue and I'm hard work, harder work, fucking impossible work, when they realise that I won't enable them to feel good about themselves for having rescued someone from their misery, they drop me, fast as they can, and disappear.

Trust issues. You think?

Concerned for my well-being? Want to fix it? Get the fuck away from me. Fuck off. Just fuck off. Take all your "good intentions" and choke on them.

Be my friend. Make me laugh. Honour me with fun times and untarnished moments. Sit beside me and say nothing while we stare at nothing. Let me be a normal person. Pretend there is nothing wrong so I can pretend there is nothing wrong, for a while, with you.

Don't fix me. It isn't your place, privilege or right.

That task is mine.

The last line in Monsters was, "I don't want to go home."

This is my flat.

Home is a state of mind.

I am out of my mind.


So many times I have nearly deleted this blog. I haven't kept count. This was turning over and over in my head. Depression frightens me. When the counsellor asked me about it, I said there was nothing not to fear about it. By extension I fear all things that may lead to it, and if something I post here leads to something that knocks me flat and shakes my already unstable footing with doubt, and insecurity, and shame, and hurt, and confusion, and uncertainty, and shame, and shame, and shame, then I must exterminate it. In the balance of things the potential for trouble here is great, too great, it is inevitable.

But. But.

This is my voice. The last bastion of my voice. With Baggage and ASIM: Best of Horror 2 out this year, my writing is ended. There is no more "forthcoming" and no more being written. I do not write, I am not a writer. This is all that remains of my voice. To use a voice is to be heard. If I cease blogging, I have no voice. No voice. No voice.





















This is my voice. Violently melodramatic and self-pitying, it is mine.

Perhaps it would help to add an ACHTUNG! to the side bar, notifying visitors that this is an advice, suggestion and sympathy free zone. We are demilitarised. This war is purely civil, and, uncivil. It is a spectator sport, and no, you may not join in.

Doubt and insecurity and the fact that I simply can't see anything because I am OUT OF MY FUCKING MIND shakes me. Is this a good idea? Does it offend and insult you? Would it? More than I already have?

Even if I didn't have a blog, people automatically try to fix things that appear broken, and I am stubborn and prideful and take independence to unhealthy extremes. Suggestions must be presented and then summarily ignored, so they may sit in the hinterbrain until they are familiar and unintimidating, and I may consider them objectively instead of hysterically.

I don't know, I just don't know.

Thus spoke the Sages of Public Sanitation, and they were not wrong.


I've had two bottles of cider, which is a lot for me. The last food I ate was that packet of Doritos. Seven hours have passed. The hurt has not worn off. I am upset and doubt myself, ashamed of myself, and shame draws up fury, and so this post is a knee-jerk reaction, exactly the sort of post I make an point of not making. It is a rule I live by: do nothing and decide nothing when you are upset.

I am upset, but I do not think I am wrong.

No. Really. There were three whiteboards. I can't even share the third photo as it happens to be over a potential confidential document.


This is not a post that I have dwelt upon for weeks and constructed carefully. It's word and thought vomit. Comments are on. Go for it. Vent frustration and hurt at me. Be offended and churlish. Be understanding and wonderful. Talk about geckos. Vote on the ACHTUNG! Judge me. Don't judge me. Use your voice.

This is the last of my voice, and I will fucking defend it. No one is worth the triumph of self-censorship. The war may only be in my head, but you will be the casualties.

The days are long. Summer is the invasion of light. There is only so much that sunglasses can hide.

I stopped walking. Halfway between there and here. I did not want to return to my flat. I wanted to go home, but home is a state of mind, and I am homesick. I stopped because I could not walk any more.

And then, when I had been stopped enough, I started walking again.


Once again my heart howls. I've had such high times that the strategies of handling a howling heart have fallen by the wayside and I am out of practice.

Once again I must learn to be heard beyond that howling. There is nothing to do but cry in harmony, and relearn how to discover wonder in the mundane world.

My mind; my dictatorship.

Wonder, significance, meaning, resonance; these things can be hard to see at first, but eventually, with enough time, you learn how to see and everything becomes clear.

Saturday, November 20, 2010

the end will not be narrated

Curiosity has enormous round eyes and towering pointy ears which perk with interest at all going on in the world. Curiosity is never sated, never stops finding something new to take delight in.

Delight is a fat beam of sunlight curling a a living mobius like an ADHD eel.

Desire has short arms and short fingers. Desire reaches for things just beyond its grasp, but it can see them, it knows with only a little work it can change the position of the world and have what it wants. Desire is never sated, never lets its arms drop, never stops yearning.

Fury is fists and a mouth that never closes and so the roar never ends. Fury is constantly battered and beaten by that which gives rise to it, and as it defeats that which has woken it so it slays itself. Fury doesn't want to die. Fury can't help itself.

I can anthropomorphise character traits till you get bored and stop reading. Hope is a tortoise and fear is an elephant. Resolution is the bug on the windshield that no amount of speed will blow away.

None of these entities want to die. They don't fight back. Most of them don't know they're dying at all. But when I hold them under they don't stay down. I can't keep them down.

What I fear is depression. It's a perfectly rational fear to have all things considered, but I let it affect me in an irrational way. I've cut people out of my life not because they were going to do anything that would send me back there, but because I couldn't trust myself not to use them to send myself there. There are whole countries of conversation I won't visit because they call on memories that may sit next to other memories I don't want to visit. I fear depression and so by proxy I fear all things that may lead to it.

It is only logical that I then cleave to those things which combat it. "Being awesome" is about as WMD as you can get without prescription medication. In this case, the awesomeness is entirely internal. The space my mind occupies is immense and ridiculous and so much bigger than me; I have made it that way. I have made it so that even when my head is full of poison and horror it is still breath-taking and glorious. Everything I consume as thought-food, all the experiences and trials I put myself through, the rewards and punishments I vest upon myself, all of them become architecture, amazingly intricately stupidly illogically whimsically viciously laying out new ground. Be glorious. This is all I need to keep myself alive.

The character traits are my hunters, catching pieces of the world and laying new foundations.

I fear the damage I do to myself by continuing to push on. I fear the damage I do to myself when I strangle my voice.

They're different paths to the same destination. I do not like what I am becoming.

It doesn't matter how I anthropomorphise these character traits, how much distance I put between myself and the violence I wreak upon them. I can build walls of detail, personality and symbolism into their being. It doesn't matter. It makes no difference. In the end there is only me, murderer and victim and crying for both.

Written at 19:54 on 16 August 2010

The Spectacular Failure

It's been over a year since the RSI took hold of my hands.

I will not be defeated, even while I am being defeated, even though I am now defeated. I will not give up. I will not let go. I may have lost, but I will not let there be any winners.

I cannot write. It hurts. I cannot write. It hurts. I cannot write.

I can produce nothing with regularity. Lack of practice makes my voice clumsy and awkward, and my awareness of this adds a self-consciousness that does it no favours. This day and age does not treat the slow writer gently. I did not have the output to make a name for myself when I could take my hands for granted; I have not even half that output now. I cannot reply to my emails with any depth. I cannot blog for fear of squandering my time. I cannot write. It hurts.





Fuck it.

Every time I sit to write and am thwarted by hurt. Fuck it. Every time I find myself not even opening Word. Fuck it. Every time I don't even turn the computer on. Fuck it. Every time I think about picking up a pen and do not. Fuck it. Every time I turn a story over and over in my mind and do nothing about it. Fuck it. Every time I do not act because I'm afraid of the pain and afraid of the damage that comes from being thwarted over and over and over and over and over again.

Fuck.

It.

If these are my rocks then I'll fucking well dash myself to pieces on them. I won't go quietly into the night. I'll take the fucking night down with me.

In the end, I won't be worth knowing. I'll be the bitter scraps of some dream I poisoned deliberately and furiously. I'll hate everyone who knew me as anything else. I'll know exactly what I am, and hate myself for that too.

Written at 19:39 on 16 August 2010