Hey! A Good Thing!

Before the hashtag, there was 'Acception'.

'Acception' was solicited by Gillian Polack, who was specifically hunting stories dealing with cultural baggage. Being equal parts immigrant and coloniser in a colonised land, it was very much a theme close to my heart. 

I honestly don't remember how the story transitioned from a partial drafs with all the excitement of a damp hanky to the version that went to print. In fact, I don't really remember writing this story at all. I edited it. It required (and because writers can never let alone I think it still requires) editing. Perhaps it is what others mean when they say a story came through them; not from them.

Baggage has had a turbulent life as a book, and after much heartbreak and man obstacles, it has finally returned.

The Post-Hashtag audience may be amused to know that the story I wrote takes place during the coming revolution, which takes place in Melbourne, the protagonist of which is Tessa Kum. Yeah, I really did that. Hero Complex out the wooza except not really.

The Before-Hashtag audience I daresay may be relieved that the hashtag didn't pan out like the story did. Funny. Even after all these years, this story is still precious to me. I'm not sure I could or even would write that narrative again, but being written I find myself returning to it. Perhaps because the story says something I needed to hear, and still need to hear.

There are also some marvellous pieces in this collection. Stand outs for me are the stories by KJ Bishop, Yaritji Green and Monica Carroll. Excellent tasty stuff. 

Baggage can be bought as paperback or ebook.

For that matter, 'The Fate of All Wens' is available as an ebook together with 'By the Moon's Good Grace' by Kirstyn McDermott in Volume 12: Issue 3 of the Review of Australian Fiction. McDermott's story is current shortlisted for a Ditmar, so you don't just have to take my word for it when I say it is an incredible, powerful piece of work. $2.99AUD for two stories is pretty excellent. That's less than a fancy cup of tea and you get owlbears and wolves and all sorts of lovely words and images and perhaps some not so lovely ones too, all of them so worthwhile.

Tangentially, the Triumvirate over at the Galactic Suburbia podcast have named myself as well as Anita Sarkeesian, Zoe Quinn and Brianna Wu tie winners for the Julia Gillard Award of sort of general feminist badassery. The Galactic Surburbia award for activism in SFF goes to Sofia Samatar for her awesome acceptance speech calling out the elephant in the roof: Lovecraft's unfortunate head.

The Julia Gillard Award was named after former Australian Prime Minister Julia Gillard, in particular for this speech:

Which, look. She had some abhorrent policies, but this remains for me the greatest use parliamentary speech time EVER. 

Am honoured to be a grasshopper amongst giants, am honoured to accept anything in the name of this speech.

One person is not a movement. One person plus one person plus one person... and we are heard. This recognition is for everyone who reached out and took part. Carry on being awesome. 

Still the Echoes of Writer Past

I too have received my contributor copy of The Year's Best Australian Fantasy & Horror 2010. Very nice package. Oddly tactile, the cover has this peculiar waxy feel to it, I can't stop stroking the damn thing.

Among the ToC 'Acception' is lurking (page 141-170 to be precise). It's the scoundrel among fine company. I do not know if there are still copies of Baggage available at Eneit Press, that dear book is rarer than hen's teeth now. The Year's Best is however fresh from the egg, and available for purchase from amazon and indie books.

I never mentioned receiving my Ditmar Nominee's pin, did I? A neat little thing bearing the Southern Cross. It's arrival confused me; I should be proud, should I not? Every achievement is something to celebrate, crawling and clawing my way up this molehill.

But I am not a writer.

Remember 'The Mona Lisa'? That little ditty Jeff VanderMeer and I wrote for Halo: Evolutions. And remember how they were animating it? It's done. All 11 episodes and the full story arc are out, and some awesome being in France has knit them together into the full film, 1 hour and 3 minutes of WHOA.



Again, Pyramid and One have done some superb work. The Flood are genuinely creepy and [spoiler spoiler spoiler] when [spoiler spoiler omg so much spoiler] was just EEEEK.

My favourite bit? This bit.



Benti & Henry. BFF.

Year's Best Australian Fantasy & Horror

Some of you may have noticed the free PDF of Acception was removed from the previous post. This is why.

Ticonderoga Publications is walking on sunshine to announce the contents for its inaugural The Year's Best Australian Fantasy and Horror anthology.

Editors Liz Grzyb and Talie Helene have produced a list of 33 excellent tales by some of Australia's biggest names as well as some emerging writers.

The anthology collects 150,000 words of the best stories published last year from the Antipodes.

"We're pleased with the number of fabulous stories that were published in 2010 that we had to choose from,” Liz Grzyb said.

"You could hold this anthology up against any international collection - Australians rock for diverse voices, imagination, and compelling writing," Talie Helene added.

The stories are (alphabetically by writer):

RJ Astruc: "Johnny and Babushka"
Peter M Ball: "L'esprit de L'escalier"
Alan Baxter: "The King's Accord"
Jenny Blackford: "Mirror"
Gitte Christensen: "A Sweet Story"
Matthew Chrulew: "Schubert By Candlelight"
Bill Congreve: "Ghia Likes Food"
Rjurik Davidson: "Lovers In Caeli-Amur"
Felicity Dowker: "After the Jump"
Dale Elvy: "Night Shift"
Jason Fischer: "The School Bus"
Dirk Flinthart: "Walker"
Bob Franklin: "Children's Story"
Christopher Green: "Where We Go To Be Made Lighter"
Paul Haines: "High Tide At Hot Water Beach"
Lisa L. Hannett: "Soil From My Fingers"
Stephen Irwin: "Hive"
Gary Kemble: "Feast Or Famine"
Pete Kempshall: "Brave Face"
Tessa Kum: "Acception"
Martin Livings: "Home"
Maxine McArthur: "A Pearling Tale"
Kirstyn McDermott: "She Said"
Andrew McKiernan: "The Memory Of Water"
Ben Peek: "White Crocodile Jazz"
Simon Petrie: "Dark Rendezvous"
Lezli Robyn: "Anne-droid of Green Gables"
Angela Rega: "Slow Cookin' "
Angela Slatter: "The Bone Mother"
Angela Slatter & Lisa L Hannett: "The February Dragon"
Grant Stone: "Wood"
Kaaron Warren: "That Girl"
Janeen Webb: "Manifest Destiny"

In addition to the above incredible tales, the volume will include a review of 2010 and a list of recommended stories.

The editors will shortly begin reading for the second volume of The Year's Best Fantasy and Horror. Details are available from the Ticonderoga Publications website http://ticonderogapublications.com.

The anthology is scheduled for publication in June 2011. The anthology will be available in hardcover, ebook and trade editions and may be pre-ordered at http://indiebooksonline.com.

Acception: quietly having a little insurrection in the Ditmars

It has been brought to my attention that "Acception" has squirmed its way in among the cool kids and is currently shortlisted for the 2011 Ditmar Awards.

The 2011 ballot is as follows:

Best Novel
————————————————————————
* Death Most Definite, Trent Jamieson (Hachette)
* Madigan Mine, Kirstyn McDermott (Pan Macmillan)
* Power and Majesty, Tansy Rayner Roberts (Voyager)
* Stormlord Rising, Glenda Larke (Voyager)
* Walking the Tree, Kaaron Warren (Angry Robot Books)

Best Novella or Novelette
————————————————————————
* “Acception”, Tessa Kum (Eneit Press)
* “All the Clowns in Clowntown”, Andrew J. McKiernan (Brimstone Press)
* “Bleed”, Peter M. Ball (Twelfth Planet Press)
* “Her Gallant Needs”, Paul Haines (Twelfth Planet Press)
* “The Company Articles of Edward Teach”, Thoraiya Dyer (Twelfth Planet Press)

Best Short Story
————————————————————————
* “All the Love in the World”, Cat Sparks (Sprawl, Twelfth Planet Press)
* “Bread and Circuses”, Felicity Dowker (Scary Kisses, Ticonderoga Publications)
* “One Saturday Night With Angel”, Peter M. Ball (Sprawl, Twelfth Planet Press)
* “She Said”, Kirstyn McDermott (Scenes From the Second Storey, Morrigan Books)
* “The House of the Nameless”, Jason Fischer (Writers of the Future XXVI)
* “The February Dragon”, Angela Slatter and Lisa L. Hannett (Scary Kisses, Ticonderoga Publications)

Best Collected Work
————————————————————————
* Baggage, edited by Gillian Polack (Eneit Press)
* Macabre: A Journey through Australia’s Darkest Fears, edited by Angela Challis and Marty Young (Brimstone Press)
* Scenes from the Second Storey, edited by Amanda Pillar and Pete Kempshall (Morrigan Books)
* Sprawl, edited by Alisa Krasnostein (Twelfth Planet Press)
* Worlds Next Door, edited by Tehani Wessely (FableCroft Publishing)

Best Artwork
————————————————————————
* Cover art, The Angaelien Apocalypse/The Company Articles of Edward Teach (Twelfth Planet Press), Dion Hamill
* Cover art, Australis Imaginarium (FableCroft Publishing), Shaun Tan
* Cover art, Dead Sea Fruit (Ticonderoga Publications), Olga Read
* Cover art, The Girl With No Hands (Ticonderoga Publications), Lisa L. Hannett
* “The Lost Thing” short film (Passion Pictures), Andrew Ruhemann and Shaun Tan

Best Fan Writer
————————————————————————
* Robert Hood, for Undead Backbrain
* Chuck McKenzie, for work in Horrorscope
* Alexandra Pierce, for body of work including reviews at Australian Speculative Fiction in Focus
* Tehani Wessely, for body of work including reviews at Australian Speculative Fiction in Focus

Best Fan Artist
————————————————————————
* Rachel Holkner, for Continuum 6 props
* Dick Jenssen, for cover art of Interstellar Ramjet Scoop
* Amanda Rainey, for Swancon 36 logo

Best Fan Publication in Any Medium
————————————————————————
* Australian Speculative Fiction in Focus, edited by Alisa Krasnostein et al.
* Bad Film Diaries podcast, Grant Watson
* Galactic Suburbia podcast, Alisa Krasnostein, Tansy Rayner Roberts, and Alex Pierce
* Terra Incognita podcast, Keith Stevenson
* The Coode Street podcast, Gary K. Wolfe and Jonathan Strahan
* The Writer and the Critic podcast, Kirstyn McDermott and Ian Mond

Best Achievement
————————————————————————
* Helen Merrick and Andrew Milner, Academic Stream for Aussiecon 4
* Amanda Rainey, cover design for Scary Kisses
* Kyla Ward, Horror Stream and The Nightmare Ball for Aussiecon 4
* Grant Watson and Sue Ann Barber, Media Stream for Aussiecon4
* Alisa Krasnostein, Kathryn Linge, Rachel Holkner, Alexandra Pierce, Tansy Rayner Roberts, and Tehani Wessely, Snapshot 2010

Best New Talent
————————————————————————
* Thoraiya Dyer
* Lisa L. Hannett
* Patty Jansen
* Kathleen Jennings
* Pete Kempshall

William Atheling Jr Award for Criticism or Review
————————————————————————
* Leigh Blackmore, for Marvels and Horrors: Terry Dowling’s Clowns at Midnight
* Damien Broderick, for editing Skiffy and Mimesis: More Best of Australian Science Fiction Review
* Ross Murray, for The Australian Dream Becomes Nightmare
* Tansy Rayner Roberts, for A Modern Woman’s Guide to Classic Who

To those who nominated, thanks. I am well sheepish, bemused and ego-fat.

More importantly, Baggage itself is up for a Ditmar as well. Huzzah! This is a brilliant thing, and not just because the book itself is a devious little collection.

As was announced a couple of weeks back, Eneit Press is closing.

I've been grappling with the problems created by the RedGroup's collapse for the last few weeks, but the lead up to that collapse was, for Eneit Press, the most disasterous. You see, last year Borders hosted the launch for Baggage, and at their prompting I bought the biggest print run for any anthology I'd yet done.

The launch, just prior to Aussicon 4 was a huge success, and the store took half the print run, keeping some boxes of books on consignment for selling at this year's Supanova. I duly invoiced them for the books they sold at Worldcon. And re-sent 8 weeks later.

...I was just about to ring again when the news of them entering voluntary adminstration broke.

Nothing short of a miracle can save Eneit Press now.

The ending of Eneit Press is nothing to do with quality of books, having printed a collection by Kaaron Warren and Gillian Polack's latest Ditmar-nominated novel, there is nothing but quality in that back catalogue. The conduct of Borders has left me with a churning gutful of bitter froth, and left Sharyn with a financial debt that she did not bring about and has slain her dream.

Normally, I would offer to send "Acception" for free to anyone who wishes to read it before voting. In this case, however, I urge you to buy the few remaining copies of the anthology from Eneit Press direct, and alleviate some of that debt.

It has always been said that the Australian speculative fiction scene is a supportive community. Please, don't just talk the talk. Buy the book, read the book, stick it to the goddamn man.

Baggage may be purchased here. For international orders drop Sharyn an email to query shipping.

Details on how to vote in the Ditmars may be found here.

If you could retweet, reblog, facebook, tumbl(r), share this and spread the word around, please do. This isn't about awards.

Baggage; Many Copies of

UPDATE: NO SPARE COPIES LEFT

The launch of Baggage was stupefying.

photo filched from alan baxter

It was so stupefying that I'm not actually going to write about it, I'm just going to filch from Gillian's blog:

The Baggage launch was lovely, though Mr Dann and I got up to a great deal of mischief during the signings. I hadn't actually thought I would need to give a speech at the launch. Honestly. I helped make sandwiches, and people who make sandwiches don't give speeches. Which is crazy thinking, since I've always maintained that the people who make sandwiches should *always* give speeches, especially if they're the editor of the book being launched. The key role of second sandwich assistant is not the whole of my life, after all.

And all those wonderful writers sat there and smiled - they know me too well. And there were a large number of equally wonderful writers in attendance. The writing community is just warm and generous and entirely made of awesome. And Sharyn Lilley is all that and with bells on. Baggage is off to a fine start in the world. Also, three different people who had head starts on the book told me that they can't see Federation Square without Tessa's story overshadowing it.

There was something of a signature production line with the attending contributors, and while I had myself a fine time being in reach of the sammiches and playing up with Madames Deb Biancotti and Maxine McArthur, I lost count of how many copies I scribbled in. A few people (possibly the same people) at the launch and even during the con in the days following were generous enough to tell me they'd read my story and-

You know, no one says they enjoyed it, or that they liked it. It isn't that sort of story.

But they read it, and it affected them, affected them enough to speak to me, and that means something.

I suppose I should come clean with myself and finally admit that, yeah, this story means something to me too.



I took my contributor payment in books, not money. It's all part of my cunning plan to get this book read.

Melbournians wishing to get their hands on a copy, may I direct you to Borders on South Wharf? I wandered back in a couple of days back, and Baggage has prime position on a shelf end. The staff there were brilliant during the launch, and their support should be supported in turn.

Australians wishing to get their hands on a copy, I shall direct you to the publisher's site, where you may order online. (Gillian's latest novel is also up for grabs there. Nudgehintnudge.)

And for those of you overseas?

I've made queries with Sharyn, the publisher, and if you wish to purchase from her please shoot her an email. She's more than happy to work out shipping for you, no matter where you are.

Or;

There is this massive pile of Baggage sitting on my desk.

They need to get OFF my desk and OUT into the world and be READ.

If you overseas and would like a copy, put your hand up. They're on offer until they're all gone, it's as simple as that. If you're in a position to review, blog, post about the book in some fashion, I'll take that as payment. If you're not, hell, just read it and I'll take that as payment too.

Of Baggage people have said:

"Baggage is a fascinating exploration of Australian issues through characters and situations that feel immediate and real. There's little in the way of escapism here, but instead much subtlety and nuance, combined with stunning writing. From the incendiary, no-holds-barred 'Acception' by Tessa Kum to the quiet power of K.J. Bishop's 'Vision Splendid', and beyond, this anthology tackles difficult and diverse subject matter." Jeff VanderMeer, World Fantasy award winner

"An excellent cross-section of the current Australian fiction scene-and a potential must-have for 2010." Ann VanderMeer, Hugo award winner.

"Baggage collects many of the finest voices in Australian speculative fiction. Each author contributes a unique cultural perspective, with stories ranging from the deeply personal to the highly disturbing. Baggage an anthology not to be missed." Shane Jiraya Cummings, OzHorrorScope

"This is a well-rounded anthology, entertaining and thought-provoking in one. The stories were all easy to read, even the ones that made my teeth hurt (Tessa Kum and Janeen Webb’s stories did that for me, but in a good, thought-provoking way)." Joanne Kasper, ASIF

Of Acception people have said:

"Is good. Is fucking good." Deborah Kalin

"I think reading your story first was like having hot chilli before going to a wine tasting. Kinda rendered the literary tastebuds useless for anything else for a while." Ian McHugh

"There's an awful lot of you in there, isn't there? And "Colin"! "Colin" isn't a name to give a character!" Mum

"Colin is too a name! A fine name! Viva le Colin!" Me

i saw two birds lost at sea

While this place has collected some dust in the last couple of weeks - the background image is entirely the appropriate texture for dust - I've done a wee bit of guest blogging, as part of the blog tour leading up to the launch of Baggage. A round up of links can be found here and here.

My contributions consist of a long-winded ramble over on that cool frood Jeff VanderMeer's blog: When the Cover Doesn't Match the Story

Exhibit 6: The taxi drivers in Kathmandu see a lot.

“No, I’m not Nepali. I’m half-Chinese.”

“But you are not Chinese.”

“Half-white Australian. I know. I don’t look like anything.”

“Ah,” he said, and nodded knowingly at me in the rear view mirror. He took me to Kathmandu International Airport without further conversation, and three hours later I began my long slog home.

He was the only person in three weeks to be unfazed by my background.

This post also contained a photo collage of my face, and because it is the single most painful graphic I have ever been foolish enough to decide to produce, I'm posting it here too.



I hate my face.

Remember, the Baggage launch is this Thursday, 1pm at Borders in the South Wharf DFO. Given who is overseeing the catering, the food will be awesome. And by awesome I mean "kill you with deliciousness".

My second blog-invasion was over on Deborah Kalin's lovely, neat, concise online cubby house, where I proceeded to blort another long-winded ramble: Tibet is... I tried to be succinct, really I did.

My life is one of close horizons. No horizons at all, in fact. With all the trees, curves and slopes, my sense of distance is heavily skewed. I assume, not wrongly when in context, that if I can see it, it is in easy walking distance. Half an hour max.

Tibet fooled me over and over. Distance and size conspired to slap my suburban assumptions upside the head every time I gazed at the world, which was all day, every day.

There are a few photos of Tibet accompanying that post, one of which I'll filch and shove right here.



This photo contains a perspective-jab. Oh yes, mountains in the distance, lovely-

Until you lean in close to squint at that little rise of dust in the middle pane and realise that is a car, tiny and distant, which means those mountains are...

And hey kids! Deb is launching Shadow Bound this Saturday! 1pm in room 203 of the Melbourne Convention and Exhibition Centre. There will be books for sale, a Mysterious Door Prize of Mystery, give aways, some more awesome food, and that devastatingly talented author Deborah Kalin herself. She's also reading, signing, and kaffeklatching at Worldcon. All the information you require to stalk her can be found here.

Thank you to Jeff and Deb for letting me mess their blogs up.

Now, it has been brought to my attention that the enigmatic Arthur Miller shall also be attending Worldcon, and has stated his intention to be present at the Baggage launch. He? Is that known for certain? To my knowledge, THE Arthur Miller is deceased, and unlikely to attend, awesome catering or no.

Well.

Actually zombies are really in at the moment. A zombie dramatist playwright is probably inevitable.

Cease, tangent! Anyway! What? Right, Arthur Miller. I do not know who the enigmatic Arthur Miller is, therefore, the enigmatic Arthur Miller could be anyone.

You see what I'm hinting at?

At the end of Worldcon, I'll report back on how many people came and introduced themselves to me as Arthur Miller. You hear that, people? I want more than TEN, got that? If we can get more than ten, I'll, uh...do something probably entirely in keeping with the character of this blog.

Shove a whole lolly snake up my nose and make a comic out of it, probably.

Baggage Has Skin

As grafted by Andrew McKiernan.

In the quote on the back VanderMeer describes 'Acception' as "incendiary".

This has me equal parts strutting and crowing like a rooster, and cowering under my bed waiting to be shouted down as a charlatan.

(Actually what I think he really means is that the story dooms the book to be burned. BURNED. BUUUUUURNED.)

Baggage: Imminent

KJ Bishop wrote of what her story, 'Vision Splendid', means to her, did to her, and her apprehension at its forthcoming release.

Usually, by the time a story is released into the wild, I've broken up with it. I tend to lose interest once it's out of my hands and out of my power to tinker with. When it has moved through the tenses from "writing" to "written". Past tense for the writer, now present tense for the reader, and what the reader does with the story is a relationship that I, the writer, have no business meddling in.

This works pretty well for me. Criticism doesn't matter so much when you're not still in love with the story.

It would appear that even after prancing around Patagonia for a month, which was sufficient to kick pretty much everything out of my head, 'Acception' and I haven't had enough time apart. Not that I was ever in love with it; it's "complicated".

And I’m still nervous, perhaps because I’ve been told what to think about cultural baggage by academia and the media, so that it was difficult to put a whole bunch of very educated people’s opinions aside and tell the story I wanted to tell; and there was always the terror of clumsily saying something I shouldn’t, or not saying something I should, and that terror is now echoing on, probably quite irrationally, now that I can’t make any more changes.

Kirsten says it better than I, and with less waffle. Except I would take out 'nervous' and replace it with 'fucking terrified'. You could say that I say a lot on this blog, but my statements generally only relate to me in a purely personal manner. Through this story I have said something that remains personal, but passes judgment on a great many other people. It says something I don't always agree with, but have yet to doubt. It must be important to me, for me to fear it so. Important enough that I don't want to have any part in the discussion at all, yet care too much what people will think of it.

But the story is written, and so it will be said. I challenge myself to stand by it.

TABLE OF CONTENTS

Vision Splendid — K.J. Bishop
Telescope — Jack Dann
Hive of Glass — Kaaron Warren
Kunmanara – Somebody Somebody — Yaritji Green
Manifest Destiny — Janeen Webb
Albert & Victoria/Slow Dreams — Lucy Sussex
Macreadie v The Love Machine — Jennifer Fallon
A Pearling Tale — Maxine McArthur
Acception — Tessa Kum
An Ear for Home — Laura E. Goodin
Home Turf — Deborah Biancotti
Archives, space, shame, love — Monica Carroll
Welcome, farewell — Simon Brown

Of Baggage Gillian says;

...it's a speculative fiction anthology that examines the stories and other cultural baggage that migrants have brought with us to Australia over the last 200 odd years...If you think Australian culture is all about neighbours and mateship, you may find Baggage distressing.

What I know of my fellow contributors, and knowing Gillian, I don't imagine this will be an easy, leisurely anthology, and despite my apprehension, I'm looking forward to holding it in my hands. Because I feared it, it was difficult, and because it was difficult, it was worth doing. That's enough to be proud of. On a purely personal level.

There is an electronic uncorrected proof of the anthology available for review, for those of you interested there is more information here.